Musical Notation, Divine InvocationTibetan musical scores consist of notations that symbolically represent the melodies, rhythm patterns, and instrumental arrangements. In harmony with chanting, visualizations, and hand gestures, music crucially guides ritual performances.
On 10th May, 2014 H.E. Goshir Gyaltsab Rinpoche presided over the
GARCHEN TSECHU CHENMO, (Sacred Ritual Lama Dance with full Costumes and Masks), with Tulkus, Lamas, Monks and Nuns from Densa Palchen Chosling Monastery performing. [Check out the torma at 3:47]
At Densa Palchen Chosling Monastery, Ralang, South Sikkim, India
The large, triangular, red torma (l) and the black “activity aspect of the protector” torma (r) were placed beside each other in the shrine room for the duration of the Mahakala pujas. Once the dances started, they were brought outside separately on consecutive days. The first dance, from a vision of the 5th Karmapa, Deshin Shekpa, involved the red triangular torma. The second day’s dance called The Black Hat Dance, featured the black torma. Each torma was burned in a bonfire at the end of the day’s dance.